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“The API 2500 Bus Compressor is the only piece of analog gear that’s stayed consistent with me through the years. Now with the UAD plug-in there is finally a worthy model.”
– Vance Powell(Jack White, The Dead Weather, The Raconteurs)
Pioneering audio recording for more than 50 years.
Founded in 1958 by Bill Putnam Sr., Universal Audio has been synonymous with innovative recording products since its inception. A favorite engineer of Frank Sinatra, Nat King Cole, Ray Charles and more, the late Bill Putnam Sr. was a passionate innovator who is widely regarded as the father of modern recording — with many of his legendary studio and equipment designs still in use today.
Specifically, Putnam was the inventor of the modern recording console, the multi-band audio equalizer, and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, Putnam was also involved in the early development of stereophonic recording.
Putnam, a natural entrepreneur, started three audio product companies during his long career: Universal Audio, Studio Electronics, and UREI. All three companies built equipment that remains widely used decades after their introduction, including the ubiquitous LA-2A and 1176 compressors, and the 610 tube recording console. The 610 console in particular stands as one of the most beloved designs in audio history, used to record everyone from Sinatra to the Beach Boys to Van Halen’s eponymous debut.
The Only End-to-End API 2500 Emulation
Poring over proprietary “for-your-eyes-only” schematics made available to Universal Audio by API, our team of DSP experts analyzed two classic API 2500s — rackmount and in-console — ensuring one of UA’s tightest behavioral circuit models to date. Working together with API’s engineers, we scrutinized every facet of the plug-in against its analog counterpart, delivering the definitive representation of this iconic compressor. Early beta testing with UA artists confirmed that the plug-in ranks among the most accurate analog emulations in UA history.
Built for the 2-Bus
API designed the 2500 compressor with program material firmly in mind. Its Release control includes fixed or variable options, while the Attack, Threshold, and Ratio controls offer musical tweaking throughout their range, making the API 2500 a toneful dynamics overlord for your stereo bus.
Shaping Tone and Dynamics
The API 2500 allows selection between three custom-voiced compression Knees — Soft, Medium, and Hard. You can shape the tone further with two compression types; “Old” for characterful peak-detection harkening back to API’s earliest, highly-coveted 525, or “New”, which features a modern feed-forward design.
Thrust Control for Unmatched Punch
Taken from their Paragon series of consoles, the API 2500’s Thrust feature puts a filter before the RMS detector, evening high and low frequency energy — so neither triggers the compressor more than the other. This gives you a tight hallmark API punch beyond any other compressor.
Enhance Energy and Motion
Most compressors only allow you to turn left/right linking on or off. The API 2500 Bus Compressor Link parameters allow for precision control of your mix’s L/R dynamic interaction. Set exactly how much dependence — or independence — you want your L/R spatial dynamics field to have, and hone your dynamic contours even further with the Shape control.
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An obsessively accurate emulation of API’s flagship compressor.
The API 2500 Bus Compressor is a permanent fixture on the stereo bus of many of the world’s top engineers and producers. Considered the best of the Paul Wolff-era API circuit designs, this famed compressor adds energy, movement, and tone to stereo mixes and subgroups unlike any other compressor.
The API 2500 Bus Compressor plug-in for UAD-2 hardware and Apollo interfaces is a spot-on emulation of this classic compressor, capturing its all-discrete signal path with Thrust®circuitry — and features a fanatically detailed modeling of API’s custom transformers and 2510 and 2520 op amps.
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